Victoria Morton: Hitting The Lift

Victoria Morton

Hitting The Lift, 2026

Unique monotypes, in acrylic with hand finishing, onto Fabriano 5, Fabriano Rosapina Avorio and Madrid Litho papers

Size: 50 x 35 cms

Series of 30 unique, signed

*Please note some of these works are only available framed and include a framing cost. These are indicated in the selection menu. Framed works will be available to ship in 4 weeks.

*As is traditional in editions publishing, prices will rise as an edition starts to sell out.

About the edition

For Glasgow International 2026, Victoria Morton has created a series of 30 unique monotypes. To make each print, Morton painted directly onto a glass plate and took a single printed impression. Morton then repainted into the residue of the last image on the glass plate, to create the next image, resulting in an evolving progression of unique prints. The artist has chosen a range of papers, varying across the edition, with each work including painterly hand finished details.

Made during the process of creating paintings for her up coming exhibition at The Modern Institute (5 June - 5 September, 2026) and sharing the same title, the works are intrinsically linked. Hitting The Lift is also the title of a painting included in the exhibition and a track on the artist’s forthcoming LP.

About the artist

Based between Glasgow and Fossombrone, Italy, Victoria is an artist and musician whose innovative work across disciplines spans over three decades. Known for her explorative and expansive approach to painting, she has also undertaken collaborations, residencies and commissions extending into sculpture, textiles,

sound and costume design. Her work as a visual artist sits alongside her musical practice both solo, under the moniker Onde de Bouche, and in many collective initiatives, such as Elizabeth Go, the all female band Muscles of Joy, and the ongoing music project Sotto Voce with Luke Fowler.